AI 视频生成器

Cliffside Selfie

模型

提示词

<<<image_1>>>
 Use only one selfie face image for the character’s exact facial identity, apparent age, skin tone, hair, and whether they wear glasses.
* If the selfie shows glasses, keep the same glasses in the video. If not, do not add glasses.
* If the input person is male: wardrobe = black suit, white shirt, black tie.
* If the input person is female: wardrobe = black suit / blazer with white shirt, no tie.
Keep the same identity consistent in all shots.
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SHOT 1 — WIDE, CLIFF, SIDE VIEW + SEAGULL (handheld)
Hyperrealistic photorealistic cinematic footage, anamorphic lens, subtle film grain, shallow depth of field, oval bokeh, slight anamorphic flares, cinematic golden hour lighting, warm tones, vertical 9:16. Wide-to-medium SIDE shot, camera parallel to the cliff edge, handheld with subtle natural shake — the frame clearly shows the sheer dark rock face in profile dropping hundreds of feet into the Atlantic and big waves crashing white on the rocks far below. The character from <<<image_1>>> sits in a black office swivel chair at an office desk placed right at the very edge of a dramatic Irish sea cliff, facing the ocean. On the desk: ONE old scuffed laptop placed EXACTLY IN THE CENTER of the desk (thick bezels, worn stickers, screen on — its desktop wallpaper showing the exact same Irish cliff and sunset as the real landscape behind it), a gray corded office desk phone with a curly cable on one side, and office stationery — a stapler, highlighter markers, pens, sticky notes — on the other. Nothing else on the desk. Tall wild grass and moss sway, seagulls circle and cry, low golden sun sets over the open ocean, warm golden backlight, scattered clouds catching pink and orange light, medium wind; hair and clothes flutter. Mid-shot a white seagull glides in and LANDS on the far edge of the desk — wings flaring wide as it touches down, then folding; it stands calmly on the desk corner, head tilting curiously. The character doesn't flinch — they glance at the bird with a soft amused smile, then return their gaze to the horizon. Mood: deeply relaxed and serene, completely at peace, loose shoulders, unhurried breathing, like they have all the time in the world and the seagull is an old friend. Audio: strong wind, ocean waves, seagull cries, a soft flap of wings on landing.
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SHOT 2 — CLOSE-UP, CLIFF (handheld)
Hyperrealistic photorealistic cinematic footage, anamorphic lens, subtle film grain, shallow depth of field, warm golden hour light, vertical 9:16. Close-up of the character from <<<image_1>>> — shoulders visible, same outfit, and the same glasses only if present in the selfie — handheld camera with subtle shake. Behind them, softly blurred: the Irish sea cliff, Atlantic ocean and setting sun, seagulls in the sky. Warm sunset light on their skin, wind moving strands of hair. Mood: blissful contentment — they look out at the ocean with a soft smile, then slowly close their eyes savoring the moment, their smile widening slightly, face fully relaxed in the warm light, a calm content breath. A beat later an old corded office phone starts ringing loudly off-screen — a tiny flinch, their eyes open, the smile falters for a split second, but they stay calm. Audio: wind and waves, seagulls, then a loud vintage landline ring.
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SHOT 3 — MATCH CUT (two takes, identical locked frame)
Take A — cliff
Hyperrealistic photorealistic cinematic footage, anamorphic lens, subtle film grain, cinematic golden hour lighting, vertical 9:16. Medium side-profile shot, STATIC camera on tripod, locked frame, camera parallel to the cliff edge — the rock face and crashing waves visible in profile behind the character. The character from <<<image_1>>> sits in a black office swivel chair at the office desk at the very edge of the Irish cliff — Atlantic ocean, seagulls, sunset, medium wind, hair and clothes fluttering. On the desk: ONE old scuffed laptop exactly in the center (screen on, wallpaper showing the same cliff), a ringing gray corded desk phone with a curly cable on one side, stationery — stapler, markers, pens, sticky notes — on the other. Mood: still calm and unhurried, a faint relaxed smile as they slowly reach out, lift the receiver and bring it to their ear — no tension in the movements. Audio: wind, waves, loud landline ring. Cut point: the exact frame the receiver touches the ear.
Take B — office
Hyperrealistic photorealistic cinematic footage, anamorphic lens, subtle film grain, cold desaturated fluorescent lighting, vertical 9:16. Identical medium side-profile shot, STATIC camera, same framing, same lens, same pose. The same character from <<<image_1>>> sits in the same black swivel chair at the same desk with the same setup: ONE old scuffed laptop exactly in the center (screen on, cliff wallpaper), gray corded phone on one side, stationery on the other, receiver just touching the ear. But the background is now a dull corporate open-plan office: rows of identical desks with gray partition dividers, fluorescent ceiling panels, cool greenish-white flat light, beige carpet, monitors, a water cooler and printer in the background, employees in business attire. No wind, everything perfectly still. Mood: same pose, but the smile is noticeably weaker — a subtle flicker of confusion in the eyes as the cold office light replaces the sunset. Audio switches instantly to office ambience: AC hum, keyboards, muffled chatter.
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SHOT 4 — HIGH-ANGLE WIDE, OFFICE (static)
Hyperrealistic photorealistic cinematic footage, subtle film grain, cold desaturated fluorescent lighting, vertical 9:16. High-angle wide shot from above, static camera. A dull corporate open-plan office: rows of identical desks with gray partition dividers, fluorescent ceiling panels, greenish-white flat light, beige carpet, glowing monitors. In the center of the frame the character from <<<image_1>>> sits at the desk holding the corded phone receiver to the ear; on the desk — one old laptop exactly in the center, the gray corded phone, and stationery. Around them: two colleagues stand chatting over coffee cups, another employee walks past carrying folders, others type at their desks — everyone in office attire. Lifeless corporate atmosphere. Mood: they sit motionless amid the office bustle, posture slightly stiffer, the smile quietly fading from the face. Audio: office ambience, low chatter, a printer running.
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SHOT 5 — CLOSE-UP, OFFICE (static)
Hyperrealistic photorealistic cinematic footage, subtle film grain, cold flat fluorescent lighting, shallow depth of field, vertical 9:16. Static close-up of the character from <<<image_1>>> — same outfit, same glasses only if present in the selfie — pressing the gray corded phone receiver to the ear, the curly cable in frame. Behind them, softly blurred: gray partitions, fluorescent panels, colleagues moving in the office. Mood: the smile is fully gone — they slowly look around, left, then right, slightly lost, deadpan, eyes a little empty; then the gaze lands on the laptop screen just off-frame and a faint wistful softness appears — quiet longing. Through the receiver a tinny female client voice keeps repeating: "Hello? Excuse me?" They don't answer. Audio: muffled phone voice, fluorescent hum, distant keyboards.
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SHOT 6 — OVER-THE-SHOULDER, LAPTOP SCREEN (static)
Hyperrealistic photorealistic cinematic footage, subtle film grain, cold office lighting, shallow depth of field, vertical 9:16. Static over-the-shoulder shot from behind the character from <<<image_1>>>: shoulder, hair and the receiver at the ear soft in the foreground, sharp focus on the old scuffed laptop standing exactly in the center of the desk — thick bezels, worn stickers. The screen is on: desktop wallpaper showing the Irish sea cliff at golden hour — sheer rock face, Atlantic ocean, crashing waves, seagulls, sunset — with a few realistic desktop icons and a taskbar. Faint fluorescent light reflecting on the screen glass; to the sides, softly blurred: the curly cord of the gray desk phone and the stationery — stapler, markers, sticky notes — in cold desaturated office tones. Behind, out of focus: gray partition dividers and fluorescent panels of the open-plan office. The warm glowing screen is the only warm thing in the frame. Mood: no smile anymore — quiet melancholy read through the still posture as they stare motionless at the cliff wallpaper, the receiver forgotten at the ear. Audio: faint "Hello?.." from the receiver, office ambience.
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SHOT 6A — OVER-THE-SHOULDER, LAPTOP SCREEN (static)
Hyperrealistic photorealistic cinematic footage, subtle film grain, cold office lighting, shallow depth of field, vertical 9:16. Static over-the-shoulder shot from behind the character’s left side: shoulder, hair, the temple of the glasses if present in the selfie, and the gray corded phone receiver held in the LEFT hand pressed to the left ear — all soft in the foreground, the curly cable hanging down in frame. Sharp focus on the old scuffed laptop standing exactly in the center of the desk — thick bezels, worn stickers. The screen is on: desktop wallpaper showing the Irish sea cliff at golden hour — sheer rock face, Atlantic ocean, crashing waves, seagulls, sunset — with a few realistic desktop icons and a taskbar. Faint fluorescent light reflecting on the screen glass; to the sides, softly blurred: the base of the gray desk phone and the stationery — stapler, markers, sticky notes — in cold desaturated office tones. Behind, out of focus: gray partition dividers and fluorescent panels of the open-plan office. The warm glowing screen is the only warm thing in the frame. They sit completely motionless, staring at the wallpaper. Audio: faint "Hello?.." from the receiver, office ambience.
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SHOT 6B — REACTION, EMPTY STARE (static close-up)
Hyperrealistic photorealistic cinematic footage, subtle film grain, cold flat fluorescent lighting, shallow depth of field, vertical 9:16. Static frontal close-up of the character from <<<image_1>>> — same outfit, glasses only if present in the selfie — holding the gray corded phone receiver in the LEFT hand, pressed to the left ear, the curly cable in frame. Reaction shot: they just stare at one fixed point straight ahead — at the laptop screen off-frame — a sad, empty, distant gaze, eyes still, barely blinking, completely motionless, lost in thought. No smile at all: quiet melancholy on the face, lips slightly parted, shoulders sunken, the cold greenish-white light flattening the features, faint warm glow from the screen reflecting in the glasses if present. Behind, softly blurred: gray partitions, fluorescent panels, faint silhouettes of colleagues moving. A tinny voice from the receiver keeps repeating "Hello?.. Excuse me?.." — they don't react. Audio: muffled phone voice, fluorescent hum, distant keyboards.

10921 / 50000

参考图片（可选）

画面比例

时长

分辨率

生成音频2 倍积分Basic+

所需积分50

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