AI 视频生成器

Desert Portrait

模型

提示词

A young man with a vintage 35mm film camera hanging on a black woven strap around his neck photographs the woman he loves on empty scrubland outside a small desert town. He lowers the camera, she laughs and waves him off, and he steps in and takes her hand. Warm, intimate, unstaged.
ACTIVE REFERENCES
Image 1 2 : 30yo lean-athletic male 100% matches the reference.
Image 1 1 : 27yo slim female 100% matches the reference.
@CAMERA_PROP: vintage silver-top black-body 35mm SLR. LOCATION MAP
Flat, open, arid scrubland on the edge of a small settlement. Ground is pale sandy dry soil with scattered patches of scrubby green grass, low bushes, loose stones and small debris. No path, no paving, no fence. Midground on both sides: a scattered line of low single-story flat-roofed mud-and-concrete outbuildings along the horizon, small and utilitarian. Date palms with sparse wind-worn fronds stand at the left edge and center-right of the tree line. Sky is cloudless, hazy, washed pale blue-white near the horizon. No crowds, no vehicles, no signage, no power lines. The two figures are the only people in the entire location.
WORLD ORIENTATION
Image 1 2 faces east. Image 1 1 stands 2.5 meters in front of him, facing west, directly toward him. The sun is high and to the west, behind @MAN's back. This world orientation never changes across the sequence.
FIRST FRAME AND SPATIAL BLOCKING
The first visible frame already contains Image 1 2 , his hands, and @CAMERA_PROP in correct position. No empty establishing frame, no delayed reveal, no landscape insert.
Shot A first frame: @CAMERA_PROP fills the center of frame at Image 1 2 chest, black strap clearly visible running up over both his shoulders and around the back of his neck, both his hands on the lens barrel.
Shot B first frame: Image 1 1 already mid-laugh, centered, torso facing camera, both hands already rising.
Shot C first frame: both Image 1 2 and @WOMAN already in frame, Image 1 2 screen-left, @WOMAN screen-right, both in profile-three-quarter to camera, 1.2 meters apart, camera drop already resting on his chest.
Image 1 1 never stands behind @MAN. They never swap screen sides.
FORMAT MODE
CONTROLLED MULTI-SHOT SEQUENCE. Exactly two internal cuts. HARD CUT at 0:03 and HARD CUT at 0:06. No other cuts. No montage. No invented inserts. Real-time motion, no slow motion. Only the final second uses the requested organic film-burn bloom.
OPTICS
LENS LOCK SHOT A = 29°. LENS LOCK SHOT B = 18°. LENS LOCK SHOT C = 47°. Lens character changes only on a hard cut, never inside a shot.
Shot A: 29° diagonal field of view, short telephoto portrait lens character, camera 4 meters from subject. Close framing achieved through lens reach, not physical proximity. Razor focus on the camera body then on his eyes, background compressed flat behind him and dissolved into a creamy warm bokeh wash, only the subject is sharp.
Shot B: 18° diagonal field of view, classic telephoto lens character, camera 6 to 7 meters from Image 1 1 . Strong background compression, palms and outbuildings stacked flat and soft behind her, razor focus on her eyes and the embroidery at her neckline, background completely blurred into a soft warm color wash, atmospheric heat haze suspended between camera and subject, she pops sharply against a dissolved background.
Shot C: 47° diagonal field of view, standard normal lens character, camera 4 meters from the pair, natural human-eye perspective. Zero distortion, natural body proportions, palms and low buildings readable but not exaggerated, grounded classic framing.
No part of any shot drifts to another focal character. No zoom, no lens breathing, no digital push-in.
CAMERA Shot A: camera at chest height, east of @MAN, looking west at him. Handheld with real operator weight — slow breath, micro-settling, organic correction, no digital jitter. Focus starts on the engraved lens ring of @CAMERA_PROP and racks to his eyes as the camera lowers.Shot B: camera at eye height, west of @WOMAN, looking east at her, positioned just past @MAN's shoulder without Image 1 2 entering frame. Handheld, slow settle, tiny weight shift. Image 1 1 occupies the center and screen-right third, negative space screen-left. She looks slightly past the lens toward where Image 1 2 stands, never straight down the barrel.
Shot C: camera at chest height on the south side of the pair, both in three-quarter profile. @MAN holds the screen-left third, Image 1 1 the screen-right third, palms visible in the upper background. Handheld, one small organic drift left as he steps in, focus stays on the two faces.ACTION TIMING
0:00 to 0:03 — SHOT A. Image 1 2 stands still, feet planted in dry soil. Both hands are on @CAMERA_PROP at his chest: left hand cradling under the lens barrel, right hand turning the focus ring with a small visible rotation, fingertips pressing the knurled metal. At 0:02 both hands lower the camera roughly 20 centimeters with real weight; the strap goes slack then takes the load and the body settles against his shirt with a soft fabric contact. His face is revealed as the camera clears his chin: eyes lift, lock forward on @WOMAN offscreen, and a warm open smile spreads under his mustache, cheeks rising, eyes creasing. Lips do not speak.
HARD CUT at 0:03.
0:03 to 0:06 — SHOT B. Image 1 1 is already mid-laugh, head tilted slightly back, shoulders shaking once, teeth showing in a genuine open smile, eyes crinkled and shining. Her dark curls lift and drift in a light breeze with soft delayed hair motion. Both hands rise to shoulder height, palms open and turned toward camera in a playful "stop, no more pictures" gesture, fingers relaxed, wrists loose. Her torso stays facing camera, her gaze stays locked forward on @MAN's position. The cream floral embroidery at her V neckline catches the sunlight in soft warm speculars. Lips move only in laughter, no spoken words.
HARD CUT at 0:06.
0:06 to 0:10 — SHOT C. Both are in frame from the waist up, 1.2 meters apart. @CAMERA_PROP hangs from the black strap and rests still against @MAN's chest, both his hands now free. From 0:06 to 0:07 he takes one grounded step toward her — heel contact, weight transfer, hip shift, toe push-off, small dust puff at the shoe — and the hanging camera swings a short pendulum arc against his chest and settles. At 0:07 he reaches out with his right hand and gently closes it around her extended left hand, fingers interlacing with visible skin contact and slight pressure. From 0:08 they draw closer to about 0.6 meters, shoulders angling in, eyes locked on each other, and both break into a candid shared laugh, heads dipping slightly toward one another. From 0:09 to 0:10 the frame blooms into a warm orange film burn that washes in from screen-right and softens the image as the shot ends. They never fully embrace, never kiss.
PHYSICS
The neck strap carries the full weight of @CAMERA_PROP at all times: it stays looped around the back of his neck, lies flat over both shoulders, tensions when the camera hangs free, and the camera swings with real pendulum inertia and damping, never floating and never sticking rigidly to his chest. Loose ends of the strap sway slightly out of sync with his body.
Linen and cotton crease and delay behind body motion. Her dress hem and puffed sleeves react to breeze with cloth lag. Her tie belt ends flutter lightly. Her curls move with delayed spring, individual strands catching the wind. His curls lift only slightly, being denser.
Feet keep real ground friction on sandy soil; fine dust lifts in small low puffs at each step and drifts with the breeze. Hands have real contact pressure, skin compresses where they touch, no passing-through geometry.
No floating bodies, no rubbery motion, no CG gloss, no game-engine look.
LIGHTING
Primary source is the high hazy sun to the west, behind @MAN's back. Light is bright and diffuse, heat haze scattering it into a soft warm envelope. Shadows on the ground are short and soft-edged.
Shot A: sun behind him, so warm rim light traces the top of his curls, his shoulders and the chrome top plate of @CAMERA_PROP; his face carries soft warm bounce from the pale sandy ground, not a hard key. Small specular glints on the chrome dials and the front lens element.
Shot B: the sun sits behind the camera, giving her a soft warm three-quarter frontal wash across her face and the embroidery, with a thin bright rim along her screen-left hair edge. Highlights on her cheeks and the silver pendant stay soft and creamy, never blown out.
Shot C: the sun comes from screen-right, rimming both their profiles and separating them from the pale hazy background. Both faces stay readable in warm bounce.
Exposure protects the soft highlight roll-off. No hard studio key, no flat frontal blast, no crushed black.
COLOR AND TEXTURE
Warm nostalgic golden-hour palette, classic 35mm color negative emulation in the character of Kodak Portra 400. Deep saturated golden-yellows anchor the image. Highlights roll off soft and creamy, never stark. Reds and deeper colors are slightly desaturated toward an analog profile while keeping real contrast. Shadows are lifted with gentle warm brown undertones and never reach true black. Fine natural film grain, subtle halation on the brightest speculars, organic lens softness at the frame edges. Muted earthy tones unified under one warm wash across all three shots.
AUDIONatural ambience only: dry wind across open ground, faint rustle of palm fronds, soft fabric movement. One brief mechanical click of the camera focus ring in Shot A. Real, warm, natural laughter from Image 1 1 in Shot B and from both in Shot C. No dialogue, no spoken words, no narration, no music, no subtitles.

9688 / 50000

参考图片（可选）

画面比例

时长

分辨率

生成音频2 倍积分Basic+

所需积分50

视频预览

加载中...