AI 视频生成器

Reverse Explosion

模型

提示词

REVERSE EXPLOSION — PHOTOREAL RECONSTRUCTION EFFECT

Use the person in the uploaded image as the exact character reference. Preserve their identity, face, hairstyle, clothing, proportions and overall appearance.

Place them in the center of a heavily destroyed modern living room immediately AFTER a massive explosion.

One continuous photoreal shot.

CORE IDEA:
The video begins in the aftermath of catastrophic destruction.

Then time reverses ONLY FOR THE DESTROYED ENVIRONMENT.

Thousands of pieces of debris violently fly backward through the air and reconstruct the entire room around the completely normal person.

OPENING — AFTERMATH:
Begin immediately on chaos.

The subject stands naturally in the center of a destroyed living room, looking confused.

The room has already exploded.

A large window is shattered.

Furniture is broken apart.

A wooden table exists in dozens of pieces.

A chair is splintered.

Couch cushions are scattered.

Books, papers, glass fragments, pieces of plaster, wood, fabric and household objects cover the floor.

A damaged wall has exposed broken material.

Dust hangs in the air.

The person is intact and unharmed.

For the first moment, almost nothing moves except settling dust and one or two final tiny fragments falling onto the debris.

Then everything stops.

A brief silence in the motion.

REVERSAL BEGINS:
One tiny piece of broken glass suddenly lifts from the floor.

It flies backward through the air.

Another fragment follows.

Then several.

The reversal spreads explosively through the entire room.

Thousands of destroyed pieces begin retracing their trajectories BACKWARD.

Glass fragments launch upward and race toward the broken window.

Wood splinters shoot through the air toward the destroyed furniture.

Pages and books fly backward.

Plaster fragments rise from the ground.

Cushions shoot across the room.

Dust contracts inward instead of dispersing.

The subject remains in NORMAL FORWARD TIME.

They react naturally as the entire destroyed environment reconstructs itself around them.

RECONSTRUCTION:
The effect accelerates dramatically.

A storm of debris flies around the subject from every direction.

Pieces pass close to the camera with strong motion blur.

The subject instinctively ducks slightly when a large object flies nearby but otherwise remains grounded and realistic.

Broken furniture reconstructs itself piece by piece.

Splintered chair legs reconnect.

Wood fragments snap into the tabletop.

Fabric pulls itself back into place.

Books fly neatly back onto shelves.

Objects return to their original positions.

The shattered window reconstructs dramatically:

hundreds of glass fragments race toward the frame,
align in mid-air,
and fuse seamlessly back into one pristine pane.

The damaged wall rebuilds as chunks of plaster and material slam precisely into their missing positions.

Every reconstruction has strong physical momentum.

Objects do not simply fade into existence.

EVERYTHING PHYSICALLY FLIES BACK TO WHERE IT CAME FROM.

FINAL ESCALATION:
The largest pieces return last.

Furniture violently slides and assembles into perfect condition.

The final fragments streak past the subject.

One last tiny piece flies across the room and snaps precisely into place.

Instant calm.

The living room is now completely pristine.

No debris.

No broken glass.

No dust.

Everything is exactly where it belongs.

The subject remains standing in the same spot.

They slowly look around at the perfectly restored room, genuinely confused.

Hold.

CAMERA:
Begin with a slow observational push through the destroyed room toward the subject.

As reconstruction accelerates, continue moving carefully through the flying debris, creating strong foreground parallax and depth.

The camera remains in normal forward time.

PHYSICS:
Every piece follows a believable reversed trajectory from its destroyed resting position back to its original location.

Clear acceleration.
Rotation.
Momentum.
Precise final alignment.
Hard satisfying reconnection.

The environment reconstructs.

The HUMAN DOES NOT REVERSE.

CRITICAL:
Do not show the original explosion.

Begin AFTER destruction.

No magical glowing particles.
No dissolves.
No objects appearing from nowhere.
No generic rewind filter.

Every visible piece physically travels backward and rebuilds the environment.

The subject remains normal, intact and in forward time throughout.

PROGRESSION:

DESTROYED ROOM
→ ONE FRAGMENT REVERSES
→ REVERSAL SPREADS
→ MASSIVE DEBRIS STORM
→ OBJECTS PHYSICALLY REASSEMBLE
→ FINAL PIECE SNAPS INTO PLACE
→ PERFECTLY RESTORED ROOM.

4608 / 50000

参考图片（可选）

画面比例

时长

分辨率

生成音频2 倍积分Basic+

所需积分50

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