AI Video Generator

Flying Carpet

Model

Prompt

SCENE — FLYING CARPET THROUGH FLOATING WIND TURBINE ECO WORLD (REAR CHASE SHOT, HANDHELD)

ACTIVE REFERENCE — IMAGE_1 ONLY:

Use image_1 as the sole identity reference for the rider.

The uploaded image is a selfie portrait only. Preserve the exact facial identity, facial structure, skin tone, hairstyle, apparent age, and natural facial features from image_1.

If image_1 shows a female person:
create the same person as the flying carpet rider with a female-adapted version of the wardrobe while preserving the exact dark fantasy cinematic style.

If image_1 shows a male person:
create the same person as the flying carpet rider with a masculine-adapted version of the wardrobe while preserving the exact dark fantasy cinematic style.

Do not create a new face.
Do not alter identity.
Do not change facial proportions.
Do not use any additional character reference.
The rider must always remain the same person from image_1 throughout the entire clip.

Photorealistic cinematic shot, 2.39:1 anamorphic.

STRICT REAR CHASE SHOT — camera stays directly behind the carpet at the rider's back, slightly above shoulder line, looking forward in the direction of travel for the entire clip.

The camera flies with the rider at EXACTLY the carpet's speed, locked in formation, keeping the carpet and rider centered and roughly the same size in frame throughout.

CAMERA STYLE — HANDHELD, operator-in-the-air feel:

Loose organic movement, gentle sway and breathing of the frame, subtle drift and small reframing corrections, slight vertical bob, imperfect but controlled human framing, documentary handheld realism.

NOT a locked-off gimbal.
NOT a rigid mechanical move.

Movement is physical translation of the camera body only — a slow, uneven forward creep closer to the rider over the shot, with natural hesitation and small pullbacks.

NO zoom of any kind.
No optical zoom.
No digital zoom.
No focal length change.

The rear angle never orbits, never overtakes, never rotates around the rider.

SETTING — FLOATING WIND TURBINE ECO WORLD:

The rider is ALREADY DEEP INSIDE the floating eco-world from the very first frame, fully surrounded by it, and stays inside the environment for the entire clip.

No approach.
No arrival.
No entering.

The shot begins mid-flight, already surrounded by the location.

A breathtaking surreal fantasy landscape floating high above the clouds.

A vast green grassy plateau with smooth rolling hills stretches across the foreground, ending at dramatic floating cliff edges above a sea of soft fluffy clouds.

Several enormous modern white wind turbines stand on floating islands in the distance, their blades slowly rotating in the gentle wind.

Small rounded green hilltops sit on separate floating landmasses, partially hidden by mist and clouds.

Another floating island with reddish rocky terrain appears far to the right, suspended in the sky.

Golden hour lighting, warm pastel sunset colors, soft pink and orange clouds glowing from sunlight, clear blue sky fading into pale yellow near the horizon.

Dreamlike atmosphere, peaceful futuristic eco-world, realistic natural textures, cinematic composition, ultra detailed, photorealistic, high dynamic range, soft volumetric lighting, atmospheric perspective.

The environment fills the frame ahead, above, and on both sides.

Floating islands, clouds, wind turbines, mist and terrain rush past the edges of frame and overhead with heavy parallax as the carpet flies continuously forward.

The environment never opens into empty sky or empty distance.

The rider is always enclosed by the floating world.

ACTION:

Racing forward — a burgundy Persian carpet with intricate oriental ornaments, tassels whipping violently in the wind, fabric rippling realistically at speed.

The rider kneels near the center of the carpet, back to camera.

Upright kneeling posture:
both knees down on the rug, shins and feet tucked behind, sitting back lightly on heels, spine tall.

Both arms stretched out to the sides gripping the front corners of the carpet.

Fabric pulled taut in their fists.

Torso leaning forward into the speed.

They are ALIVE in the shot, not static:

They turn their head left, then right, looking at the enormous floating islands and wind turbines passing around them.

They tilt their chin upward following something moving overhead.

They glance down over the edge of the carpet at the clouds far below.

They look upward at the massive scale of the world around them.

Shoulders shift as they lean into gentle changes of direction.

They rise slightly from their heels with the carpet's movement, then settle back.

One hand briefly releases to push hair away from their face before gripping the carpet corner again.

Small excited body language throughout.

Micro-adjustments of balance.

Torso rocking naturally with the carpet's movement.

Always seen from behind or three-quarter back profile.

The rider never fully turns toward camera.

WARDROBE CONTINUITY — ABSOLUTE:

The rider is fully clothed in every frame.

Wardrobe:

Long coat worn open over a white t-shirt tucked in, wide-leg jeans.

For female image_1:
adapt the same outfit naturally to a female body while keeping the exact style.

For male image_1:
adapt the same outfit naturally to a male body while keeping the exact style.

The white tee stays tucked in and completely covers torso, chest, stomach and back at all times.

The jeans stay high on the waist, fully covering hips and legs.

The coat flares behind from the speed but the layers underneath never shift or gap.

No skin visible except hands, neck and face.

Coat, tee and jeans behave as heavy opaque real fabric with weight.

The carpet flies FAST.

The surroundings streak past on both sides of frame with strong motion blur conveying velocity.

Deep parallax between near and far elements.

Birds flash past between the camera and carpet, briefly crossing frame as fast streaks with visible wing detail.

SCENE — FLYING CARPET THROUGH FLOATING ISLAND PARADISE (REAR CHASE SHOT, HANDHELD)

ACTIVE REFERENCE — IMAGE_1 ONLY:

Use image_1 as the sole identity reference for the rider.

The uploaded image is a selfie portrait only. Preserve the exact facial identity, facial structure, skin tone, hairstyle, apparent age, and natural facial features from image_1.

If image_1 shows a female person:
create the same person as the flying carpet rider with a female-adapted version of the wardrobe while preserving the exact cinematic fantasy style.

If image_1 shows a male person:
create the same person as the flying carpet rider with a masculine-adapted version of the wardrobe while preserving the exact cinematic fantasy style.

Do not create a new face.
Do not alter identity.
Do not change facial proportions.
Do not use any additional character reference.
The rider must remain the same person from image_1 throughout the entire clip.

Photorealistic cinematic shot, 2.39:1 anamorphic.

STRICT REAR CHASE SHOT — camera stays directly behind the carpet at the rider's back, slightly above shoulder line, looking forward in the direction of travel for the entire clip.

The camera flies with the rider at EXACTLY the carpet's speed, locked in formation, keeping the carpet and rider centered and roughly the same size in frame throughout.

CAMERA STYLE — HANDHELD, operator-in-the-air feel:

NOT a locked-off gimbal.
NOT a rigid mechanical move.

Movement is physical translation of the camera body only — a slow, uneven forward creep closer to the rider over the shot, with natural hesitation and small pullbacks.

NO zoom of any kind.
No optical zoom.
No digital zoom.
No focal length change.

The rear angle never orbits, never overtakes, never rotates around the rider.

SETTING — FLOATING ISLAND PARADISE:

The rider is ALREADY DEEP INSIDE this floating paradise from the very first frame, fully surrounded by the environment, and stays inside the location for the entire clip.

No approach.
No arrival.
No entering.

The shot begins mid-flight, already within the magical world.

A serene surreal fantasy landscape on an alien world.

A vast endless emerald-green meadow with smooth rolling hills stretches across the foreground, covered with tiny wild grass details and scattered small stones.

Soft fluffy white clouds float just above the ground, blending into the landscape like magical mist.

Several enormous floating islands covered with lush green grass, moss, and hanging vines hover high in the sky.

The floating islands have rounded organic shapes with roots and vegetation hanging downward.

Thin rope bridges stretch between the floating islands, gently moving in the wind.

A giant pale moon is visible behind the floating islands in the bright blue morning sky.

Sunlight streams from the right side, creating warm golden highlights across the grass and soft natural shadows.

Small waterfalls of mist and clouds fall from some floating islands, disappearing into the atmosphere below.

The scene feels peaceful, magical, and completely otherworldly — like a hidden paradise above the clouds.

The environment fills the frame ahead, above, and on both sides.

Floating islands, hanging vines, rope bridges, mist, clouds and vegetation rush past the edges of frame and overhead with heavy parallax as the carpet flies continuously forward.

The environment never opens into empty sky or empty distance.

The rider is always enclosed by the floating world.

ACTION:

Racing forward — a burgundy Persian carpet with intricate oriental ornaments, tassels whipping violently in the wind, fabric rippling realistically at speed.

The rider kneels near the center of the carpet, back to camera.

Upright kneeling posture:
both knees down on the rug, shins and feet tucked behind, sitting back lightly on heels, spine tall.

Both arms stretched out to the sides gripping the front corners of the carpet.

Fabric pulled taut in their fists.

Torso leaning forward into the speed.

The rider is ALIVE in the shot, not static:

They turn their head left and right, observing the giant floating islands surrounding them.

They look upward toward the enormous pale moon and floating landmasses above.

They tilt their chin up following mist waterfalls falling from islands overhead.

They glance down over the edge of the carpet at the endless green meadow and clouds below.

Their shoulders shift naturally while leaning into gentle changes of direction.

They rise slightly from their heels as the carpet moves through air currents, then settle back.

One hand briefly releases to move hair away from their face before gripping the carpet again.

Small excited body language throughout.

Micro-adjustments of balance.

Torso rocking naturally with the carpet's movement.

Always seen from behind or three-quarter back profile.

The rider never fully turns toward camera.

WARDROBE CONTINUITY — ABSOLUTE:

The rider is fully clothed in every frame.

Wardrobe:

Long coat worn open over a white t-shirt tucked in, wide-leg jeans.

For female image_1:
adapt the same outfit naturally to a female body while preserving the original design.

For male image_1:
adapt the same outfit naturally to a male body while preserving the original design.

The white tee stays tucked in and completely covers torso, chest, stomach and back at all times.

The jeans stay high on the waist, fully covering hips and legs.

The coat flares behind from the speed but the layers underneath never shift or gap.

No skin visible except hands, neck and face.

Coat, tee and jeans behave as heavy opaque real fabric with weight.

The carpet flies FAST.

The surroundings streak past on both sides of frame with strong motion blur conveying velocity.

Deep parallax between near and far elements.

Birds and small flying creatures occasionally cross between camera and carpet as fast natural streaks with visible wing movement.

SCENE — FLYING CARPET THROUGH CHERRY BLOSSOM FLOATING VILLAGE (REAR CHASE SHOT, HANDHELD)

ACTIVE REFERENCE — IMAGE_1 ONLY:

Use image_1 as the sole identity reference for the rider.

The uploaded image is a selfie portrait only. Preserve the exact facial identity, facial structure, skin tone, hairstyle, apparent age, and natural facial features from image_1.

If image_1 shows a female person:
create the same person as the flying carpet rider with a female-adapted version of the wardrobe while preserving the exact cinematic fantasy style.

If image_1 shows a male person:
create the same person as the flying carpet rider with a masculine-adapted version of the wardrobe while preserving the exact cinematic fantasy style.

Do not create a new face.
Do not alter identity.
Do not change facial proportions.
Do not use any additional character reference.

The rider must remain the same person from image_1 throughout the entire clip.

Photorealistic cinematic shot, 2.39:1 anamorphic.

STRICT REAR CHASE SHOT — camera stays directly behind the carpet at the rider's back, slightly above shoulder line, looking forward in the direction of travel for the entire clip.

The camera flies with the rider at EXACTLY the carpet's speed, locked in formation, keeping the carpet and rider centered and roughly the same size in frame throughout.

CAMERA STYLE — HANDHELD, operator-in-the-air feel:

NOT a locked-off gimbal.
NOT a rigid mechanical move.

Movement is physical translation of the camera body only — a slow, uneven forward creep closer to the rider over the shot, with natural hesitation and small pullbacks.

NO zoom of any kind.
No optical zoom.
No digital zoom.
No focal length change.

The rear angle never orbits, never overtakes, never rotates around the rider.

SETTING — CHERRY BLOSSOM FLOATING VILLAGE:

The rider is ALREADY DEEP INSIDE this floating world from the very first frame, fully surrounded by it, and stays inside the location for the entire clip.

No approach.
No arrival.
No entering.

The shot begins mid-flight, already within the environment.

A magical surreal fantasy landscape featuring a gigantic floating island suspended high above a sea of clouds.

The floating landmass is a perfect rectangular block of rich green grass with steep vertical sides covered in dense natural grass texture.

A narrow gray road runs straight from the front edge of the floating island toward a small peaceful village on top.

At the top of the floating island sits a charming Japanese-inspired countryside village with small wooden houses, gray rooftops, and traditional rural architecture.

Hundreds of beautiful pink cherry blossom trees surround the village, their branches covered with soft pink flowers.

Pink petals gently drift through the air, swirling around the flying carpet as it passes.

Behind the village, a massive glowing pink-and-white cloud formation rises dramatically into the sky, creating a dreamy magical atmosphere.

The floating island hovers above a lower green meadow, with soft white mist and clouds wrapping around its bottom edges.

Wild pink flowers and tall grass appear blurred in the foreground, creating cinematic depth.

The scene feels like a hidden paradise floating in the sky.

The environment fills the frame ahead, above, and on both sides.

The giant floating island, cherry trees, petals, clouds, mist and village structures rush past the edges of frame and overhead with heavy parallax as the carpet flies continuously forward.

The environment never opens into empty sky or empty distance.

The rider is always enclosed by the floating world.

ACTION:

Racing forward — a burgundy Persian carpet with intricate oriental ornaments, tassels whipping violently in the wind, fabric rippling realistically at speed.

The rider kneels near the center of the carpet, back to camera.

Upright kneeling posture:
both knees down on the rug, shins and feet tucked behind, sitting back lightly on heels, spine tall.

Both arms stretched out to the sides gripping the front corners of the carpet.

Fabric pulled taut in their fists.

Torso leaning forward into the speed.

The rider is ALIVE in the shot, not static:

They turn their head left and right, looking at the floating Japanese village and endless cherry blossom trees.

They look upward at the giant pink cloud formation rising behind the village.

They follow drifting cherry blossom petals passing through the air.

They glance down over the edge of the carpet at the clouds and lower meadow below.

Their shoulders shift naturally as the carpet makes gentle direction changes.

They rise slightly from their heels with the carpet's movement, then settle back.

One hand briefly releases to move hair away from their face before gripping the carpet corner again.

Small excited body language throughout.

Micro-adjustments of balance.

Torso rocking naturally with the carpet's undulation.

Always seen from behind or three-quarter back profile.

The rider never fully turns toward camera.

WARDROBE CONTINUITY — ABSOLUTE:

The rider is fully clothed in every frame.

Wardrobe:

Long coat worn open over a white t-shirt tucked in, wide-leg jeans.

For female image_1:
adapt the same outfit naturally to a female body while preserving the original cinematic design.

For male image_1:
adapt the same outfit naturally to a male body while preserving the original cinematic design.

The white tee stays tucked in and completely covers torso, chest, stomach and back at all times.

The jeans stay high on the waist, fully covering hips and legs.

The coat flares behind from the speed but the layers underneath never shift or gap.

No skin visible except hands, neck and face.

Coat, tee and jeans behave as heavy opaque real fabric with weight.

The carpet flies FAST.

The surroundings streak past on both sides of frame with strong motion blur conveying velocity.

Deep parallax between near and far elements.

Cherry blossom petals, birds and small natural elements occasionally cross between camera and carpet as fast-moving realistic particles with visible motion.

FINAL CONSISTENCY RULES:

Maintain the exact same rider identity from image_1 in every shot.

Maintain the exact same burgundy Persian carpet design in every shot.

Maintain the exact same rear chase camera language in every shot.

Maintain the same handheld aerial documentary realism.

No cuts.
No transitions.
No camera orbit.
No front-facing shots.
No face replacement.
No identity drift.

The rider is always fully clothed.

The rider is always seen from behind or three-quarter back profile.

The world must feel physically real:
real fabric physics,
real wind interaction,
real atmospheric depth,
real motion blur,
realistic scale.

Ultra-photorealistic cinematic fantasy realism.
Large-format cinema camera look.
High dynamic range.
Natural colors.
Subtle film grain.
IMAX-level environmental detail.

19153 / 50000

Reference Images (Optional)

Aspect Ratio

Duration

Resolution

Generate Audio2x creditsBasic+

Required Credits50

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