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English
Giant Guinea Pig
Model
Gemini Omni
10s
50 credits
Prompt
Templates
SCENE CONTEXT A quiet, absurd-tender moment on a windswept crag: KAREEMA, a young knight in dark fantasy white-silver armor, stands right at the cliff's edge in profile, facing screen-RIGHT, gazing out past the horizon — when a COLOSSAL guinea pig, 6–7 meters tall, walks up from BEHIND her out of frame-LEFT and stops at her side; the handheld camera pulls its zoom back to fit the giant in. They look at each other; she hugs it and strokes its deep fur — then climbs onto its back and it leaps RIGHT, off the cliff, out of frame. A beat later SIX more guinea pigs of the very same colossal 6–7 meter size come bounding through the frame and hurl themselves off the same edge after them. 15 seconds, one continuous handheld shot, horizontal 16:9, full realism. ACTIVE REFERENCES — STRICT ROLE HIERARCHY @[Image 1](image_1): LOCATION — the grassy crag: a massive weathered limestone outcrop crowned with wind-combed turf, in an open rolling meadow of knee-high grass dotted with small yellow and violet wildflowers; low green hills on the horizon; a heavy overcast sky of layered grey clouds; cool, moody, wind-swept daylight. 100% matches the reference. STAGING POINT — EXACT: the action happens at the crag's turf-topped FORWARD LIP — where the grass crown breaks off into the sheer fissured rock face. Kareema stands ON that lip, boots a step from the drop, open air and far hills beyond her. @[Image 2](image_2): KAREEMA FACE IDENTITY — the sole source of facial identity. Preserve the exact face from the selfie reference with zero drift: facial structure, eye shape, eye color, skin tone, natural skin texture, freckles, beauty marks, nose shape, lips, eyebrows, and every unique facial characteristic. The selfie controls ONLY identity of the face. Ignore selfie background, selfie lighting, selfie clothing, and selfie hairstyle unless it is part of the face identity. If the selfie subject is wearing glasses: preserve the exact same glasses on Kareema with the same style and proportions. If the selfie subject is not wearing glasses: do not add any glasses. KAREEMA ARMOR — generated entirely from this description, NOT from the selfie: A dark fantasy knight armor inspired by medieval white-silver plate armor. The armor has mirror-polished silver steel plates with darker aged edges, subtle gothic engraving details, elegant fleur-de-lis inspired ornamentation, blackened riveted chainmail visible underneath, articulated silver gauntlets and greaves, reinforced shoulder plates, a dark brown leather sword belt, and a sheathed arming sword attached on the RIGHT hip. The armor keeps the same visual identity as the reference armor: clean polished knight plate, noble fantasy design, realistic metal surfaces, engraved details, and a full-length ivory-white silk cloak. Dark fantasy adaptation: slightly darker steel tones, deeper engraved shadows, weathered battle-worn edges, realistic scratches and imperfections, while remaining elegant and high-quality. Gender adaptation: - If the selfie subject is female: create a feminine fitted knight armor silhouette with elegant proportions while preserving the same dark fantasy silver armor design and cloak. - If the selfie subject is male: create a masculine knight armor silhouette with broader shoulders and masculine proportions while preserving the same dark fantasy silver armor design and cloak. Preserve realistic human anatomy and natural body proportions. The character must always look like the same person from the selfie reference wearing fantasy knight armor. @[Image 3](image_3): THE COLOSSAL GUINEA PIG — the same animal as the reference, scaled to 6–7 METERS at the shoulder: standing beside Kareema her head barely reaches its KNEE-to-lower-flank, her whole body is smaller than its head, and she must climb the foreleg and shoulder fur to mount. Identity locked: tricolor coat of crisp white, deep black and warm ginger-orange (white muzzle and chest, dark eye mask, ginger cheeks and back, mixed rump); brick-shaped neckless low-slung body; broad blunt head, small petal ears folded outward, huge glossy black eyes with wet highlights, pink nose, split lip, whiskers meters long. FUR AT COLOSSAL SCALE — fur strands tens of centimeters long in heavy directional flows, large cowlicks and rosettes, parting into wide furrows under her arms and weight and springing slowly back, wind rolling visible waves through it, pink skin glimpsed in the partings. Real fur physics — never plush-toy uniformity, never CG shag. BEHAVIOR — gentle, calm, tame: slow blinks, twitching nose and whiskers, ears rotating, deep slow breathing swaying the body, occasional soft chewing. Heavy, soft, unhurried movement with true inertia. THE SIX OTHERS — SIZE-LOCKED COMPANIONS, NOT A SWARM Exactly SIX additional guinea pigs appear at the end — and every one of them is the SAME COLOSSAL 6–7 METERS TALL as the first, built on the identical body plan and fur logic as @[Image 3](image_3), differing only in coat: a smooth-coated tricolor, a long-haired Peruvian whose fur sweeps the turf, a rough-coated Abyssinian with vast rosettes, a solid charcoal-black one, a cream-and-white one, and a ginger agouti one. They are individually huge, individually animated animals with their own gaits and paths — SIX enormous beasts, never a crowd, never a mass of many, never small. SIZE PROOF IN FRAME: each of them is so tall that at this camera distance only their LEGS, FLANKS and LOWERED HEADS fill portions of the frame as they pass; their backs run above the top edge of frame. Kareema's figure — and the empty lip where she stood — remain in shot as the scale reference. Any of these animals is taller than the crag's grassy shoulder. BANS: no small or normal-sized guinea pigs anywhere in the clip; no distant tiny animals; no herd of many; no swarm; not more than six. FORMAT MODE One continuous shot, 15 seconds, 16:9. NO cuts. Full realism. CAMERA — FIXED POSITION, HANDHELD, ONE ZOOM-OUT ON THE ARRIVAL The camera never changes position, height or angle. One fixed vantage at chest height for the whole clip. It NEVER follows anything over the cliff. Handheld texture throughout: constant organic micro-sway, the frame breathing, tiny drift and correction, small half-beat drifts that settle back. The framing changes ONLY by zoom, once: 0:00–0:04 START TIGHTER: Kareema framed from the TORSO UP, in profile in the left-center of frame, facing screen-RIGHT. Her face, dark fantasy silver armor and wind-blown hair readable. Grey sky and far hills behind, the drop beyond her. 0:04–0:07 ZOOM OUT: As the colossus comes up behind her from frame-LEFT, the handheld camera ZOOMS OUT smoothly and organically. Like a real camera operator widening to fit something unexpected. Imperfect movement: slight overshoot, tiny correction, natural settle. Reveal: her full standing figure at the lip and the giant's flank, foreleg and lowered head towering into frame. 0:07–0:15 HOLD WIDE: The wide framing holds to the end. Only handheld breathing and micro-drift. Room enough for: the mount, the leap out of frame-right, and the six giants passing through. No pans. No whip-pans. No reframing. No cuts. WIND — LIVING IN EVERY FRAME Strong steady wind blowing from screen-left toward screen-right for the whole clip. Her hair moves continuously: strands lifting, crossing her cheek, reacting naturally to gusts. Her ivory-white cloak snaps and flutters horizontally, its hem cracking in the wind. The grass moves in continuous waves across the turf. Flower heads nod and bend. The giant's long fur is combed into rolling waves along its flanks with visible lag and weight. Loose grass blades and seed fluff drift past the lens. Above: the layered grey clouds drift slowly and visibly to the RIGHT across all 15 seconds. Cloud shapes gently deform. Nothing in the frame is ever static. ACTION — 0:00–0:15 0:00–0:04 THE WAITING: Torso-up framing on Kareema at the lip. Profile view, facing screen-RIGHT. She gazes far past the horizon out of frame. Calm, self-assured, thoughtful expression. Wind continuously moves her hair and cloak. Visible breathing. Natural blinks. One slow weight shift. The dark fantasy silver armor reflects the soft grey overcast sky. The sword remains attached on her RIGHT hip. 0:04–0:07 THE ARRIVAL FROM BEHIND + ZOOM-OUT: The colossal guinea pig enters frame-LEFT from behind her. First: an enormous tricolor flank slides into view like a moving wall of fur. The massive body passes behind Kareema. Then: the huge head lowers beside her shoulder. Meter-long whiskers sweep past her. The nose twitches. The ears rotate. Each footstep creates a faint ground tremor. The camera operator reacts naturally and performs the smooth handheld zoom-out to reveal the full scale. The giant turns its head down toward her. Kareema turns her head upward toward it. They hold eye contact. Her expression slowly softens into a small, genuine smile. The animal looks gentle, calm and affectionate. 0:07–0:11 THE HUG: Kareema steps toward the giant. She hugs what she can reach: her arms spread wide around the base of its lowered cheek and jaw. Her face presses into the deep fur. Her cheek and closed eyes sink into the coat. The enormous fur compresses into a broad realistic furrow around her arms and face. The fur slowly springs back after pressure releases. Her RIGHT hand strokes upward along the cheek and shoulder. Her fingers disappear into the deep strands of fur. Each stroke leaves temporary trails through the coat that slowly settle. The guinea pig leans slightly into her touch. It gives a slow blink. Its breathing creates subtle movement through the fur. Wind moves: fur, hair, cloak, and grass together naturally. 0:11–0:13 MOUNTING UP: Kareema climbs onto its back. A realistic bodyweight scramble: Her armored boot presses onto the giant foreleg/knee area. Her armored hands grip handfuls of thick fur. She pulls herself upward using real effort. The fur compresses beneath her hands. Her cloak drags across the massive coat. She swings one leg over the shoulder area and settles onto its back. The giant's body absorbs her weight with a small realistic shift. She sits low over its shoulders. Tiny compared to the mountain of fur beneath her. Her hands remain buried in the coat for balance. 0:13–0:14 THE LEAP RIGHT: The colossal guinea pig takes two heavy, soft strides toward the drop. It launches RIGHT — exactly the direction Kareema was staring. It jumps off the cliff's lip. Its huge body pushes against the turf. Grass and loose earth tear upward from the takeoff point. Fur and cloak whip violently upward from the motion. Kareema remains mounted securely. Both disappear out of the frame's RIGHT side over the cliff. The camera stays completely fixed. It does not follow. 0:14–0:15 THE SIX GIANTS: A brief empty beat. The wind continues across the abandoned grassy lip. Then: Exactly SIX colossal guinea pigs appear from frame-LEFT. They move LEFT to RIGHT in a loose ragged line. Each one is the same 6–7 meter scale as the first. They are enormous individual animals. Not a swarm. Not a herd. Not small. Each has its own movement and personality. They bound through the frame: One performs a huge vertical "popcorn" hop. Another lands heavily and veers slightly. Another shoulders past with natural animal momentum. Their fur flows in massive waves. Their bodies bunch and stretch with realistic giant rodent movement. Their footfalls compress and tear the turf. The handheld camera reacts only through natural vibration from the ground. Because of their scale: only their legs, lowered heads, and enormous flanks are visible. Their backs extend above the top of frame. One after another they reach the same right-hand cliff edge. Each launches off the same direction. They leap out of frame-right. Heavy bodies disappear over the edge. The final moment ends with the last colossal guinea pig leaving the cliff. PHYSICS Real mass at colossal scale. Every footfall compresses and tears turf. Each impact sends a subtle tremor through the handheld camera. Bodies move with heavy inertia. The giant animals are soft but massive: their movement has weight, slow acceleration, and realistic momentum. The guinea pig fur has true depth: individual long strands, wide furrows where Kareema grips, slow rebound after pressure, wind rolling through the coat. Her hug and climb must read as authentic human bodyweight against an enormous animal. Real grip. Real friction. Real effort. No floating. No weightless movement. The leap has: real push-off, visible ground displacement, gravity-driven motion, and believable disappearance over the cliff. The six additional guinea pigs: real giant rodent locomotion. Springing gallops. Bunch-and-stretch spine movement. Heavy popcorn hops. Individual paths. Individual timing. Never synchronized. Never copy-pasted. Never artificial. LIGHTING Cool overcast daylight matching @[Image 1](image_1). Soft, directionless natural lighting. No visible sun. Muted deep greens. Pale fissured limestone. Dark fantasy silver armor reflecting soft grey sky tones. White areas retain realistic texture. Ginger and black fur remain naturally detailed. Far hills soften into the weather. Natural exposure. Muted realistic colors. No warm color cast. No fantasy glow. AUDIO Wind roaring over the microphone. Continuous grass hiss. Armor plates subtly creaking with movement. Leather belt and sword fittings moving naturally. The colossal guinea pig: Deep heavy footfalls. Slow cavernous breathing. A low affectionate purring rumble. A huge soft giant-scale "wheek". Whiskers brushing through the air. During the hug: Soft fur movement. Fabric brushing. Kareema's quiet breath. A gentle wordless hum. During climbing: Armor scraping through thick fur. A small effort grunt. During the leap: Earth-shaking push-off. Turf tearing. Strong wind rush. The six giants: Deep booming gallop-thuds. Low chesty giant-scale squeaks and wheeks. Ground impact. Turf ripping. Six separate launches fading over the cliff. No music. No dialogue. No subtitles. FINAL POSITIVE CONSTRAINTS Camera remains fixed in position for the entire 15 seconds. Only handheld breathing and micro-drift are allowed. The ONLY framing change is ONE organic zoom-out during the animal's arrival. Start: torso-up framing. Then: smooth zoom-out revealing the giant. Then: hold the wide framing until the end. No pans. No whip-pans. No camera movement toward the cliff. The camera never follows anyone over the edge. POSITIONS AND DIRECTIONS EXACT: Kareema stands on the crag's turf lip. She is in profile facing screen-RIGHT. The first colossal guinea pig arrives from BEHIND her from frame-LEFT. It stops beside her. The leap goes RIGHT off the cliff. The six additional giants run LEFT TO RIGHT. They leap from the same right-hand edge. COUNT AND SCALE MANDATORY: Exactly SIX additional guinea pigs. Each one is 6–7 METERS tall. Each one matches the scale of the first animal. Only coat variations differ. No small guinea pigs. No normal-sized guinea pigs. No distant tiny animals. No crowd. No swarm. No herd of many. Never more than six additional animals. WIND AND SKY MANDATORY: Hair moves continuously. Cloak moves continuously. Grass waves continuously. Flower heads move continuously. Giant fur moves continuously. Clouds drift slowly toward the RIGHT throughout the entire clip. Nothing in the frame is static. IDENTITY AND REFERENCE RULES: Face identity: 100% controlled by @[Image 2](image_2). Zero facial drift. Preserve glasses only if present in the selfie. Never add glasses if absent. Armor: Generated from the dark fantasy knight armor description. Do not copy clothing from the selfie. Female or male armor silhouette adapts automatically based on the selfie subject. Keep realistic proportions. Location: 100% controlled by @[Image 1](image_1). Animal: 100% controlled by @[Image 3](image_3). FULL REALISM: Real skin pores. Natural facial texture. Real hair movement. True polished metal. Deep individually separated fur strands. Real grass and limestone. No animated appearance. No cartoon proportions. No plush-toy fur. No CG plastic look. No fake textures. No grain. No vignette. No other people. No text. No logos. No watermarks. OPTICS STRONG anamorphic lens character. Horizontal squeeze and compression. Oval elliptical bokeh. Horizontally stretched highlights. Curved barrel edge distortion. Subtle chromatic aberration toward frame edges. NO lens flares. NO light streaks. NO floating bokeh circles. 2.39:1 cinematic anamorphic look. Focus remains on Kareema and the giant animals. Far hills and sky softly blurred by the overcast atmosphere.
16953 / 50000
Reference Images (Optional)
Reference Image
Optional: Upload up to 2 reference images to guide the generation (JPEG, PNG, WebP, max 10MB)
Aspect Ratio
16:9
9:16
Duration
10s
Resolution
720P
1080P
Generate Audio
2x credits
Basic+
Required Credits
50
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