AI Video Generator

Monster Slayer

Model

Prompt

Live-action short with big visible VFX, vertical 9:16, 12 seconds, edited as four shots with hard cuts. Real handheld camera look, overcast daylight, muted natural colors. Sync sound: station ambience, a deep rumbling whoosh when the smoke erupts, a low monstrous roar and a heavy rushing whoosh as the giant monster lunges, a sharp crack and wet splatter when it bursts, then quiet station ambience again. No music.

HER: a young East Asian woman in her early twenties, slim, dark hair pulled back low, a mustard-yellow baseball cap worn backwards, thin round wire-rim glasses, small red drop earrings. She wears a short-sleeve knit polo shirt with thin horizontal stripes in brick red, cream and brown, a thin black crossbody strap with a small black pouch at her hip, loose grey wide-leg trousers, black sneakers. A black bomber jacket is draped over her forearm; she never puts it on. She holds a phone and looks at it whenever she is not reacting.

HER CHANGED FORM: after transforming she is a sleek, human-sized figure made of glossy dark amethyst-purple crystal, with a fibrous mineral texture and thin glowing violet cracks running over the body, a smooth featureless oval head with no face, no mouth and no hair, and a single horizontal band of soft white light where the eyes would be. Same height and build as her, still holding her black jacket in one hand. An original design, not based on any existing character.

THE GIANT MONSTER: a completely different creature, enormous, at least four times taller than a person. A hulking, hunched beast made of dark purple smoke-like fibers and rough charcoal-black hide, with a massive head, a huge thick arm ending in long claws, shaggy trailing strands of purple smoke coming off its whole body, and small glowing violet eyes. It moves with heavy, fast, animal lunges and leaves purple smoke in the air behind it. It must be huge and clearly visible, filling most of the frame when it appears.

SHOT 1, 0 to 2.6 s, the platform: medium shot from slightly below chest height. She stands on a commuter train platform under a huge glass-and-white-steel canopy with skylights and trusses, a silver commuter train with a blue stripe stopped on the left, a few commuters behind her. She looks down at her phone. At 1.6 s a thick plume of jet-black smoke erupts from the ground behind her left shoulder, boiling upward and spreading sideways behind her, filling the background by 2.6 s. She lifts her eyes and glances back over her shoulder, alert.

SHOT 2, 2.6 to 6.4 s, the forecourt and the transformation: cut to a medium-wide shot in an open-air station forecourt: grey paving with yellow tactile strips, a white-painted steel elevated walkway with a red-trimmed roof running across the top of the frame, a glass railing, a low grey building, bright overcast white sky. She stands with her back half to the camera, jacket in her hand, looking off to the right. Dark purple smoke-like fibers swirl up from the ground around her legs and jacket. From 3.6 to 5.4 s the fibers wrap up her body and her clothes and skin turn into the glossy purple crystal form from the feet upward, the striped shirt and grey trousers replaced by fibrous purple crystal, the yellow cap the last thing to vanish as her head becomes the smooth featureless oval head. 5.4 to 6.4 s, cut in to a close-up of the crystal form from chest up, slightly low angle: it turns its smooth head toward the camera, the white light band glowing, the black jacket still hanging from its hand, overcast sky and the white walkway behind it.

SHOT 3, 6.4 to 8.8 s, the monster: cut to an extreme low angle with the camera lying on the paving of the forecourt, small pebbles large and sharp in the foreground, the white walkway and cloudy sky filling the frame above. Far away in the middle of the plaza the small purple crystal figure stands motionless, facing left, feet planted. At 6.4 s the giant purple monster is already charging into the frame from the left edge, huge, hunched, its clawed arm sweeping, its smoky strands trailing, filling the whole left half of the frame and looming over the tiny crystal figure as it lunges toward her through the air. At 7.4 s, mid-lunge, the monster bursts apart into an explosion of black-purple ink: thick liquid tendrils, streaks and droplets spraying across the sky, its body shredding from the front backward. 7.4 to 8.8 s the spray of ink hangs in the air, drifts and thins while the small crystal figure stays standing calmly in the same spot, until only faint purple haze remains.

SHOT 4, 8.8 to 12 s, the pillar: cut back inside the covered station hall under the glass-and-steel canopy. A square pillar painted royal blue with a small white poster at eye level stands in the center of the frame; ticket gates, signs and a few commuters in the background. 8.8 to 9.6 s the pillar alone with people passing. At 9.6 s she walks in from the right, fully human again, cap backwards, glasses on, jacket over her forearm, and stops beside the pillar. 9.9 to 12 s she stands there in a medium shot, holding her phone in both hands, looking down at it, thumb scrolling, calm and unbothered, as if nothing happened.

NEVER: the giant monster must never be missing, tiny, faint, hidden in smoke, or off-screen in shot 3; it is the biggest thing in the frame; the crystal figure never fights with weapons and never runs; she never wears the jacket; nobody else reacts; no text, captions or logos; no slow motion.

Photoreal, cinematic phone-footage look, seamless VFX, cool overcast palette with the yellow cap and red stripes as the only warm colors.

5608 / 50000

Reference Images (Optional)

Aspect Ratio

Duration

Resolution

Generate Audio2x creditsBasic+

Required Credits50

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