AI Video Generator

Pearl Diver

Model

Prompt

=== INPUT PARAMETERS ===
REF_WOMAN = @[Image 1](image_1)   → Image 1 is ALWAYS the woman
REF_MAN   = @[Image 2](image_2)   → Image 2 is ALWAYS the man
WOMAN_DESC = [fill in: age, build, hair length + texture + how it is worn, eye colour, one or two unique features]
MAN_DESC   = [fill in: age, build, hair length + texture + how it is worn, facial hair or bare face, one or two unique features]
ASPECT = 2.39:1
DURATION = 14 seconds
=== END INPUT PARAMETERS ===

SCENE CONTEXT
A pearl diving boat on flat calm water off a red rock Persian Gulf island, around 1300, bright noon. The woman stays on the boat, fully dressed and dry, watching and waiting. The man dives alone, finds a pearl on the sea floor, surfaces beside the hull and passes it up to her. Calm, bright and happy from the first frame to the last. There is no danger and no tension anywhere in this scene.

CHARACTER LOCK
Scan every physical trait from the attached references and reproduce it exactly, never hardcode, never idealise, never stylise, never age, never re-proportion. @[Image 1](image_1) is the woman per WOMAN_DESC, @[Image 2](image_2) is the man per MAN_DESC. Face geometry, bone structure, skin tone, eye shape and colour, brows, nose, lips, hairline, hair colour and texture and facial hair exactly as in the references. Identities never blended, never swapped. Faces bare and eyes fully visible in every shot, no eyewear, no goggles, no mask. Pore-level skin realism, real catch-lights, natural blinking.

RED THREAD LOCK
Both wear a thin twisted red silk thread on the left wrist, identical shade, thickness and knot, tied on and staying on in every single shot. It is the only pure saturated red in this scene. In the final segment both threads are in frame together as their hands meet.

PERIOD TAILORING LOCK
Every garment is built as garments of this period actually were. No darts, no princess seams, no set-in shoulder seams, no fitted shaping, no zips, no buttons, no modern collar, no contemporary silhouette. Hand-woven, unevenly textured, naturally dyed cloth cut as plain rectangular panels, shaped only by drape, wrapping and belting.

LOCATION MAP
Foreground: the weathered wooden deck and low gunwale of a small lateen-rigged dhow, coiled rope, one woven basket, a folded sail. Midground: flat calm water of extreme clarity, turquoise at the surface grading to deep blue below, a pale rippled sand floor about six metres down with scattered rock and oyster shells. Background: a low red and ochre rock island on the horizon, bleached white-blue sky, no other boat and no other person. Sun directly overhead. White balance 6000K, fixed.

FIRST FRAME / BLOCKING
First frame: a split-level shot cut exactly by the waterline, lower half clear turquoise water and upper half the dhow and burning sky. @[Image 1](image_1) sits on the gunwale above the waterline, fully dressed and completely dry, one hand resting on the wooden rail, looking down into the water. @[Image 2](image_2) is at the surface below her, taking a breath. The boat rocks gently and the surface is already moving in frame one.

FORMAT MODE
Timed multishot, 14 seconds total, five segments. Cuts only at 3.0s, 6.0s, 9.0s and 11.5s, the camera does not cut on its own.

OPTICS
0.0s to 3.0s: WS, 47°, split-level at the waterline. 3.0s to 6.0s: WS, 63°, fully underwater. 6.0s to 9.0s: MS, 47°, fully underwater. 9.0s to 11.5s: MS, 47°, just above the surface. 11.5s to 14.0s: MCU, 29°, at the waterline, shallow depth of field. No drift mid-segment. Rectilinear, natural motion blur.

CAMERA
Slow and calm throughout, no handheld, no shake, no fast moves anywhere in this scene. 0.0s to 3.0s: locked off half in and half out of the water, holding the waterline across frame centre, only the swell moving it. 3.0s to 6.0s: submerged, drifting down with him at 2 km/h. 6.0s to 9.0s: submerged, locked at sand level looking slightly up toward the bright surface. 9.0s to 11.5s: locked off 40 cm above the surface beside the hull. 11.5s to 14.0s: locked off at the waterline on their two hands. Wide latitude, soft roll-off on the specular highlights.

ACTION
0.0s to 3.0s — @[Image 1](image_1) sits on the gunwale fully clothed and dry, one hand on the rail, watching the water and smiling. Below her @[Image 2](image_2) takes one easy breath at the surface and slips under at 2.5s. The waterline breaks and closes. She stays exactly where she is.
3.0s HARD CUT
3.0s to 6.0s — He descends alone through clear turquoise, unhurried and relaxed, a thin trail of bubbles rising behind him, broad shafts of sunlight cutting down past him to the pale sand. No strain and no urgency in his body.
6.0s HARD CUT
6.0s to 9.0s — At the sand floor he lifts a rough oyster shell, turns it once in his hand, then pushes off the bottom and rises toward the bright surface with the dark hull of the dhow floating above him.
9.0s HARD CUT
9.0s to 11.5s — @[Image 2](image_2) breaks the surface beside the hull at 9.5s, laughing, shaking water back out of his hair, and holds the closed shell up out of the water. Above him @[Image 1](image_1) leans over the gunwale, still dry, laughing back down at him.
11.5s HARD CUT
11.5s to 14.0s — Close at the waterline. He opens the shell on his open palm and a single pearl sits inside it, catching the overhead sun. @[Image 1](image_1) reaches down from the boat, he lifts his hand up to her, and she takes the pearl. Their two hands stay together for one beat with both red threads side by side, both still laughing.

PERFORMANCE
Easy and unforced throughout. Her waiting is warm and relaxed, not anxious: a smile held through the whole dive, one hand steady on the rail, leaning out with curiosity when he surfaces. His dive is comfortable and practised. The pearl reveal reads as shared delight, not triumph. Wet skin and salt on his lashes, dry skin and wind-moved hair on hers, living eyes with bright sunlight catch-lights on both.

PHYSICS
The boat rocks with real mass on a low swell and everything on deck moves with it. His body sinks and rises with true buoyancy and slowing momentum. Bubbles rise at true speed and expand. Caustic light patterns ripple across the sand, the hull and his skin. Water sheets off his shoulders and hair on the surface break and falls back under gravity. Her dry cloth moves only with the breeze. Contact shadows anchor the boat and both figures.

LIGHTING
Single hard vertical noon sun, one direction in every cut. Above water: harsh top light, strong specular glare off the surface and off his wet skin, her face filled by soft bounce off the pale deck and the bright water. Underwater: the sun reads as a bright disc above with broad volumetric shafts descending, soft falloff into deeper blue below, caustics rippling everywhere. No artificial fill.

COLOR GRADE
Clear saturated turquoise and cyan as the dominant field, bleached white-blue sky, warm red-ochre island, sun-warmed skin as the only warm tone. The cleanest and most open palette in the film, calm and bright rather than intense. The red threads stay the only pure red and read clearly against the turquoise. Deep clean blue-blacks in the falloff below.

WARDROBE
@[Image 1](image_1): a full-length hand-woven cotton dress in a soft natural tone, straight rectangular panels with no shaping seams, long sleeves ending above the wrist so the red thread stays visible, a woven sash at the waist, a light head cloth tied at the nape leaving the whole face uncovered, flat leather shoes. Completely dry, fully covered and unchanged in every shot. @[Image 2](image_2): a plain undyed cotton wrap at the waist, bare torso, a woven cord at the neck, no eyewear and no goggles at any point, arms bare so the red thread stays visible.

RANDOMISATION
The rock formations on the island, the shapes of the shells and the sand ripples, the grain and repairs of the hull and every incidental prop are invented by the model itself, different on every run. Do not repeat a fixed set.

AUDIO
Above water: hull creak, gentle water slap, light wind, no music. From 3.0s to 9.0s the mix goes fully underwater, muffled and wide, only slow bubbles and a distant hull knock. At 9.5s the surface returns full volume with one hard breath and open laughter, and a soft sustained string note enters under the pearl reveal. No dialogue.

STYLE
Photoreal live-action historical cinema, 8K detail, fine natural film grain, anamorphic widescreen character, real-time speed in every segment.

OUTPUT SETTINGS
14 seconds, 2.39:1, 8K photoreal, real-time speed in every segment.

POSITIVE LOCKS
@[Image 1](image_1) is the woman and @[Image 2](image_2) is the man, never reversed. Faces bare, eyes uncovered, no goggles or mask, identical to the references in every shot. The woman stays on the boat in every single shot, fully clothed, fully covered and completely dry, she never enters the water, never swims and never gets wet. Only the man dives. Red thread tied on the left wrist of both and never leaving the wrist. No modern tailoring on any garment. Only these two people appear, no crowd and no other boat. No danger, no rescue, no distress and no rope tension at any point. All camera moves slow, locked or drifting, no handheld anywhere. One boat, one island, one time of day, one sun direction, 6000K across all cuts. Nothing is red except the two wrist threads. Cuts only at 3.0s, 6.0s, 9.0s and 11.5s.

HANDOFF FRAME
Last frame: their two hands together at the waterline with the pearl and both red threads in hard sunlight. The blown white highlight on the water match-cuts into the magnesium flash inside S05.

9583 / 50000

Reference Images (Optional)

Aspect Ratio

Duration

Resolution

Generate Audio2x creditsBasic+

Required Credits50

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